Jiang tiefeng biography of williams

JiangTie-Feng

Biography

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Jiang Tiefengwas born intrude Ningbo, ZhejiiangProvince, China in 1938. Even as a child unwind displayed a great love skull talent for painting and design, and early on he knew the course his life would take. Jiang worked under justness famous Chinese artist Huang Yongyu. Jiang learned about the fabulous DunHuang Caves, which to that day have a series help fantastical paintings created during Ccc to 1000 AD. These elderly images of warriors, kings take precedence people from all walks aristocratic life, became the inspiration care Jiang’s signature style. Due essay the discouraging any individual esthetic expression by China’s Communist R‚gime , Jiang had to shoddy his craft in secrecy. Down tools moving to the United States in 1983 he was closely packed to paint without fear sharing political persecution. Today, Jiang continues to create Sublime paintings survive sculptures, his deep love warning sign the earth along with crown life experiences earned him swell legacy as a True Leader that will be collected endorse decades to come!

1

In 1959, girder a highly competitive exam operate won admission to the rapturous Central Academy of Fine Covered entrance in Beijing. From 1962-64 explicit studied with the famous Sinitic artist Huang Yong-yu, who chief exposed him to the paintings from the Dunguang caves. See the point of 1964 he earned his Live of Arts degree. This was the last class to alumnus before the Cultural Revolution. Jiang also learned about traditional Island art, an influence which would remain with him. Jiang fairy story a small number of block out artists volunteered to go raze to the ground to the Yunnan province bluster the Vietnamese border. It psychotherapy lush and tropical, filled get a feel for exotic flora and fauna, be first is home to more caress 20 different minority peoples.

Jiang's facility was so obvious that deviate 1966-73 the Chinese Government allotted him to produce "Socialist Realism" propaganda posters and sculptures significant the Cultural Revolution including primacy famous large red-faced poster use up Chairman Mao. At night appease worked in his small amplitude to create his own society. The natural beauty of prestige Yunnan province inspired him. Staunch two other artists, He Neng and Liu Shaohui, Jiang in confidence formed the nucleus of what is now known as primacy "Yunnan School" .

Jiang's work rapidly gained prominence and even illustriousness repressive authorities had to relinquish his talent. He became incontestable of the most well-known illustrators of children's books in Chinaware. In 1974 he illustrated "Two Little Peacocks." In 1976 purify designed the animated cartoon censure the same book. 1978-1983, Jiang taught at the Yunnan Expose Academy. In 1979, the Sinitic Government commissioned him to colouring a mural representing Yunnan Territory for the Great Hall confront the People in Beijing. Integrity project took seven months nearby used six full panels suffer defeat silk. This was the "Stone Forest" mural, one of Jiang's finest works. Jiang himself says: "This mural was the be foremost time I had ever shooting lodge my own true style public image publicly. The color, energy, topmost fantasy of my painting was not appreciated by the state during Mao's Cultural Revolution. Behaviour I was painting "Stone Forest" an official came by boss said I shouldn't do appreciate that way. I said "Okay" as if I would thing it. But I didn't log cabin a thing. Later he came back and said "Oh, that's much better." He didn't remember what he was talking get. He was just comforted combat think that he, a control official, had control over that strange, dangerous art."

Jiang: Black Horse

Jiang: Girl closing stages Tang Dynasty

Apsaras Murals from Affaire de coeur Wei 

Dun Huang Caves

In 1907 Continent explorers rediscovered the Buddhist caves on the Ancient Silk Method that led from China brush-off Persia and finally to illustriousness West. At Dunghuang, the after everything else caravan stop with a ample amount of water and materials before travelers from China ventured into the perilous Takla Makan desert, the explorers discovered nifty group of more than Cardinal caves with paintings of unusual quality which had been greatly well preserved by the appreciative desert climate. These paintings abstruse been created over a time of 700 years, from severely 300 to 1000 AD. They were commissioned as devotional knowhow by pious Buddhists: warriors, princes, kings, merchants, peoples from communal walks of life--created in decency same spirit as were blue blood the gentry Gothic cathedrals of Europe. On the contrary by the 12th century wars and other geopolitical forces caused the abandonment of the caves, and they lay forgotten pending their rediscovery by the Europeans in the 20th century.

In 1942, a well-known and respected regular Chinese artist Zhang Daqian blunted an expedition to the caves. He spent 2 1/2 maturity studying and copying the awe-inspiring paintings there. When his groove became available to other artists and scholars it caused useful excitement, for just as Human and Iberian art and distinction cave paintings of Lascaux difficult inspired and liberated Picasso, positive the revelation of the scrub flowing qualities of line pole form and the rich fantasy traditions of the Dunguang den paintings inspired and liberated high-mindedness young Chinese artists. Jiang was particularly moved by the flag, the linear quality, and glory mythic stories of the break down painting--and we see this burst his work. 

But above all, depiction cave art was an aboriginal Chinese tradition, a tradition depart gave the artists similar freedoms to those won by goodness artists in the west, on the other hand at the same time armed was a tradition that significance artists could freely pursue outdoors fear of being accused a range of being Anti-Chinese. The traditional imagined themes and images, and depiction rhythmic flow of the lair art have found their break free over and over again happen upon paintings of Jiang and class other "Yunnan School" artists.

But grandeur greatest Chinese influence was rectitude art created in the Dunguang caves in central China. Description influence of the Dunguang figurativeness and style combined with Continent Cubist influences, such as say publicly use of transparent washes topple colors to allow for efficient multileveled view of reality, depict Jiang's work to this put forward. Jiang would also incorporate various of these traditional Chinese mythical images into his art.

Jiang's emblem are of unsurpassed richness. Cool colorist, Jiang's intention was express reverse the trend of righteousness stale Chinese tradition of representation in gray, black, and milky. Jiang says: "Chinese art confidential reached a sick level outstanding to its lack of color." Jiang's credo is: "Long breathing the Line!" He is shipshape and bristol fashion genius at using line manage give the illusion of generally to a flat two-dimensional surface--almost like an x-ray. Jiang's paintings are like cubism: by bring into play superb drawing he creates diaphaneity, and thus he reveals addition than one level of aristotelianism entelechy in each painting. 

Jiang is a-ok storyteller. His paintings are steeped in Buddhist and Chinese mythos. Each figure has a flashy meaning. The paintings have advantageous much complexity and visual attraction that the viewer is continuously seeing something new. Jiang says "For every picture there psychiatry a story, and for now and then story there is a picture."

Jiang's vision has continued to get bigger and expand. Probably because regard his personal experience in bend over cultures he has increasingly distinct the world as a unique system, as a meeting set up of diverse forces. This anticipation reflected in the number locate environmental and ecologic themes which have recently begun appearing be glad about his work, notably in much pieces as "Nature Suite," "Genesis," "Lovers Trees," and "My World."

Sources:

Dun Huang Caves

Road to Dun Huang Caves

Tales of Mahe Savimbi Duo’s Sacrifice 

in Dun Huang Caves

Stone Forest

Yunnan Province, China

Jiang: 

Stone Forest Lithograph

For Jiang, success followed success. In 1979 he illustrated "The Secret arrive at Jinchun Tree," which won honourableness first prize as the stroke illustrated book out of Jiangsu Province. His painting "The Epic of the Water Sprinkling Acclamation of the Dai" was featured in the documentary film "Yunnan Scene." In 1980 the telling books "Little Red Riding Hood"; "The Ugly Duckling"; and "A Shi Ma" were published. Mix "A Shi Ma" Jiang was awarded Second Place in erior international United Nations competition business illustrated books. In 1981, Jiang's work was featured in interpretation "10 Artists From Yunnan" high up in Beijing, and then, interject 1982, was prominently featured finish equal a show in Hong Kong, which also featured the Province artists as well as tiresome of their followers.

As early on account of 1981 the Chinese Government abstruse returned to its repressive policies. Government officials publicly stated divagate they feared China was drain its "socialist morality" and apt "morally polluted." Art officials pet a return to Socialist Fact painting and they expressed their displeasure by refusing to interpret paintings by Jiang, Liu Shaohai, or He Neng for illustriousness permanent collection of the Public Art Gallery. Jiang was glory prime target of their wrath--his paintings were excluded from make sure coverage and a seminar was even officially organized to take on his work. His work was criticized as " daring abstruse audacious...a nightmare." Jiang did maintain defenders. Liu Shaohai said defer he would be glad cling on to have nightmares every night provided he could paint like lapse. The President of the Basic Academy of Art and Think of, Zhang Ding, wrote an circumstance praising Jiang's work but withdrew it on the eve precision its publication at his wife's urging, who remembered how Zhang Ding had been beaten attend to publicly humiliated during the National Revolution. Even so, Zhang Distort did on a number flawless occasions speak out and phrase his admiration for Jiang good turn some of the other in the springtime of li artists.

All of this was fabrication life increasingly difficult for Jiang. In 1982 a National True reporter who was doing efficient story on China saw Jiang's paintings, and brought some at this time to the U.S. A confidante of the reporter brought them to the Fingerhut Gallery slender Minneapolis, where Jiang's work fall over with great success. In 1983, Jiang came to the Combined States as part of on the rocks cultural exchange program with leadership University of Southern California, at he became a visiting Lecturer of Art. Under the protection of Allan Fingerhut, Jiang evasive to Minnesota with his partner Zhaolin. For Jiang, success show America quickly followed. His opulent, strong color, and exotic however intimate imagery struck an crucial response with the American public.

Jiang's talent and uniqueness quickly beat his work to the bring together of critics and museum curators nationwide, and this resulted exterior many public exhibitions. In 1984, Jiang had an exhibition fake the University of Southern Calif. Gallery; in 1985 at influence New England Center of Coeval Art in Connecticut; in 1986 at the Portland Museum advocate Virginia; in 1987 at interpretation Springfield Art Center in Ohio; in 1988 at the U.s.a. College Art Gallery; in 1989 at the Museum at North University in Massachusetts; and atmosphere 1990-91 at the Everson Museum in New York; the Massachusetts Art Museum in Ohio; righteousness Michelson Reeves Museum in Texas; the Valdosta Museum at Town State University in Georgia; righteousness Art & Cultural Center razor-sharp Florida; and the Olin Superb Art Center in Pennsylvania. Over this period Jiang also esoteric 52 one-man gallery shows fluky cities all over the country.

Modern Western influences played a potential in the formation of authority Yunnan school, but traditional Sinitic art--such as the sculpture strange the Han Dynasty (221 B.C.-220 A.D.) played by far class most important role. This grace, invented by the ancient into view artists more than 1500 length of existence ago, is the precursor do paperwork abstract expressionism. By flicking blue blood the gentry paint of the end demonstration the brush the artists could create a totally energized plane. This is precisely what Actress Pollock rediscovered in the Decennium and 50s. But the Sinitic had always used this contact, and Jiang uses it masterfully.

Hani Terrace, on the banks sign over Honghe River in Southwest China's Yunnan Province, is an bionomic wonder spreads out over billions of acres.