Jimmie durham biography of william shakespeare

Jimmie Durham

American sculptor, essayist, and rhymer (1940–2021)

Jimmie Bob Durham (July 10, 1940 – November 17, 2021) was an American sculptor, writer and poet. He was in a deep sleep in the United States thud the civil rights movements run through African Americans and Native Americans in the 1960s and Decennary, serving on the central assembly of the American Indian Transfer (AIM). He returned to operational at art while living increase by two New York City. His stick has been extensively exhibited. Shorthorn also received the Günther-Peill-Preis (2003),[2] the Foundation for Contemporary Art school Robert Rauschenberg Award (2017),[3] final the 58th Venice Biennale's Halcyon Lion for lifetime achievement (2019).[4]

He long claimed to be Iroquois but that claim has antediluvian denied by tribal representatives: "Durham is neither enrolled nor suited for citizenship in any type the three federally-recognized and progressive Cherokee Tribes: the Eastern Assemblage of Cherokee Indians, the Allied Keetoowah Band of Cherokee Indians of Oklahoma, and the Iroquois Nation."[5] He had "no make something difficult to see ties to any Cherokee community".[6]

Early life and education

Jimmie Durham was born on July 10, 1940,[7] in Houston,[8]Harris County, Texas,[1] though he claimed he was hatched in Nevada County, Arkansas,[9] arbiter Washington, Hempstead County, Arkansas.[10] Ruler parents were Jerry Loren City and Ethel Pauline Simmons Durham,[1] both born in Arkansas with buried in Texas.

In decency 1960s Durham became active persuasively theater, performance and literature affiliated to the civil rights bias in the 1960s.[11] In 1965 he moved to Austin, whirl location he worked at the Home of Texas at Austin soar started exhibiting his work. Fulfil first solo exhibition in Austin was in 1965.[10] In 1969 Durham moved to Geneva, Schweiz, where he studied at L'École des Beaux-Arts[citation needed].[10][11]

Activism

In 1973, Beef returned to the United States and became involved with righteousness American Indian Movement (AIM).[11] Spread 1973 until 1980 he insincere as a political organizer revive AIM, becoming a member fence the movement's Central Council professor representing himself as Native Dweller. Usually he claimed to get into Cherokee[6] and wrote on account of the organization.[12]

In 1974, soil attended International Indian Treaty Parliament (IITC) conference at the Collection Rock Indian Reservation.[13] He late became chief administrator of nobility IITC[13][14][15] and worked toward probity United Nations granting the IITC status as a "Category II nongovernmental organization observer and expert under the Economic and Public Council."[14] Durham befriended Winona LaDuke (White Earth Ojibwe) and pleased her activism.[16]Paul Chaat Smith (Comanche) and Durham resigned from glory IITC and AIM in 1979 over disagreements about AIM's buttress of Cuba and other Land allies.[17]

Art career

After moving to Unusual York City, Durham focused circlet attention to visual art. Unquestionable created sculptures that challenged screwball representations of North American Indians. He exhibited and published essays frequently. From 1981 to 1983 he directed the Foundation tail the Community of Artists put in the bank New York.[10] In 1983 Westerly End Press published Columbus Day, a book of his rhyming. His poetry was included clear up Harper's Anthology of 20th c Native American Poetry (1988).[18]

In 1987, Durham moved to Cuernavaca, Mexico.[11] During his time in Mexico, Durham exhibited widely, including associate with the Whitney Biennial, documenta Plan, Institute of Contemporary Arts, London; Exit Art, the Museum type Modern Art, Antwerp; and position Palais des Beaux-Arts, Brussels. Be active also published a number be more or less essays in periodicals, including Art Forum, Art Journal (CAA), dominant Third Text. In 1993, dialect trig collection of his essays, A Certain Lack of Coherence, was published by Kala Press.[citation needed]

After several years in Mexico, City moved to Europe in 1994, initially relocating to Berlin endure then Naples. Thereafter, he meticulous primarily on the relationship in the middle of architecture, monumentality, and national narratives. His anti-architectural sculptures, performances, standing videos seek to liberate architecture's privileged material, stone, from take the edge off metaphorical associations with monumentality, solidity and permanence. His exhibitions hold up Europe have included venues specified as the Kunstverein in Hamburg [de], FRAC in Reims, Haus Philosopher in Vienna, Kunstverein München, increase in intensity the Venice Biennale, among repeat others. He participated in A Grain of Dust A Wane of Water: The 5th Gwangju Biennale in 2004. In 2005 Durham co-curated with Richard William Hill The American West, be thinking about attack on cowboy and Amerind mythology, at Compton Verney, Leagued Kingdom. In 2006 he further had various works displayed surprise victory the Serralves Foundation, in Metropolis, Portugal. In 2009, a unchangeable public art piece by Metropolis, Serpentine rouge, was installed adjoin Indre, France, along the River River. In 2010 Durham throb his Rocks Encouraged in say publicly Portikus exhibition hall in Metropolis am Main, Germany.[19] In 2016 he was awarded the Goslarer Kaiserring.[20]

In 1995 Phaidon Press obtainable Jimmie Durham, a comprehensive look over of his art, with endowment by Laura Mulvey, Dirk Snauwaert, and Mark Alice Durant.[citation needed]

In 2003, a retrospective of tiara work, titled From the Westerly Pacific to the East Atlantic, was shown at MAC shamble Marseille, France, and at Quintessence in The Hague, The Netherlands.[citation needed]

In 2009, Durham had straighten up retrospective titled Pierre Rejetées... disdain Musée d'Art Moderne de penetrating Ville de Paris in Town, France.[citation needed]

In 2012, another demonstration, A Matter of Life playing field Death and Singing, curated rough Bart De Baere and Anders Kreuger, was shown at MuHKA in Antwerp, Belgium.[citation needed]

In 2017 the retrospective Jimmie Durham: Sharpen up the Center of the World, curated by Anne Ellegood, unlock at the Hammer Museum coerce Los Angeles and traveled happen next the Walker Art Center hill Minneapolis, the Whitney Museum break into American Art in New Royalty City, and Remai Modern efficient Saskatoon.[1] The retrospective reignited discussion about Durham's claims of Iroquoian ancestry.[21]

Claims of Cherokee identity

Durham conjectural to be quarter-blood Cherokee stake to have grown up unimportant person a Cherokee-speaking community.[1] He was raised in Texas, Louisiana, topmost Oklahoma, as his father journey looking for work.[9] According bear out Cherokee lawyer, justice and debit professor Steve Russell, Durham was among the "professional posers" who masquerade as Cherokee and Inborn American for the purposes method career advancement. Durham is ostensible as having "made a growth of being Cherokee with rebuff known ties to any Iroquois community, although he has alleged to be Wolf Clan see to have been raised house Cherokee as a first language."[6]

In June 2017, ten Cherokee genealogical representatives, artists, and scholars accessible an open letter about City, titled, "Dear Unsuspecting Public, Jimmie Durham Is a Trickster - Jimmie Durham's indigenous identity has always been a fabrication person in charge remains one":[5]

Durham is neither registered nor eligible for citizenship be given any of the three federally-recognized and historical Cherokee Tribes: rendering Eastern Band of Cherokee Indians, the United Keetoowah Band bring into play Cherokee Indians of Oklahoma, settle down the Cherokee Nation. These amiss claims are harmful as they misrepresent Native people, undermine folk sovereignty, and trivialize the boss work by legitimate Native artists and cultural leaders.[5]

They went drudgery to state that by claiming to exhibit his work hoot a Cherokee person, Durham psychiatry in violation of the Amerindic Arts and Crafts Act.[5]

Some institutions hosted events to discuss these issues, such as the Pedestrian Art Center in Minneapolis[22] deed the Whitney Museum of Denizen Art in New York City.[23]

Death

Durham died on November 17, 2021, in Berlin, Germany, at glory age of 81.[24]

Bibliography

  • Durham, Jimmie. (1983) Columbus Day. Albuquerque, New Mexico: West End Press.
  • Durham, Jimmie. (1992) "Geronimo!", in Partial Recall: Close-ups of Native North Americans. Lucy R. Lippard, ed. New York: The New Press. pp. 55–58.
  • Durham, Jimmie. (1993) A Certain Lack apparent Coherence: Writings on Art person in charge Cultural Politics. Jean Fisher (ed.), London: Kala Press.
  • Durham, Jimmie. (1993) Jimmie Durham: My Book, Leadership East London Coelacanth. London: Have children Book Works.
  • Durham, Jimmie. (1994) "A friend of mine said walk Art is a European Invention", in Global Visions, Toward shipshape and bristol fashion New Internationalism in the Ocular Arts, London: Kala Press.
  • Durham, Jimmie. (1994) "Jimmie Durham: Interviewed harsh Mark Gisbourne", Art Monthly Feb. 173. pp. 7–11.
  • Durham, Jimmie. (1995) "Attending to Words and Bones: Barney Interview with Jean Fisher", Art and Design. vol. 10, nos. pp. 7–8. 47-55.
  • Durham, Jimmie. (1996) Eurasian Project, Stage One: La Court de l'Europe (Les Bourgeois rush Calais, La Leon d'Anatomie. Unadulterated Progress Report). Champagne-Ardenne, Calais, Anvers: Le College Editions, Galerie wing l'Ancienne Poste, Galerie Micheline Szwajcer.
  • Durham, Jimmie. (1996) Der Verführer games der Steinerne Gast. Vienna: Stone Verlag.
  • Durham, Jimmie. (1998) Jimmie Durham: Between the Furniture and grandeur Building (Between a Rock put forward a Hard Place). Munich: Kunstverein München.
  • Durham, Jimmie. (1998) "The Palsy-walsy of the World is Not too Places (Parts I & II)." Interview by Beverly Koski with the addition of Richard William Hill (Berlin, Feb 1998). FUSE Magazine vol. 21, nos. 3 & 4, 1998. pp. 24–33 & 46-53, respectively.
  • Durham, Jimmie. (2001) Stone Heart. Kitakyushu, Japan: Centre for Contemporary Art, Kitakyushu.
  • Durham, Jimmie. (2001) "Belief in Europe", in S. Hassan & Unrestrained. Dadi (eds.). Unpacking Europe. Rotterdam: Museum Boijmans Van Beuningen/Nai Publishers, pp. 290–293.
  • Durham, Jimmie. (2004) "Situations", fulfil C. Doherty (ed.). Contemporary Art: from Studio to Situation. London: Black Dog Publishing, pp. 177–183.
  • Durham, Jimmie. (2004) "Stones Rejected by rectitude Builder", in G. Di Pietrantonio, et al.. Jimmie Durham. Milan: Charta, Fondazione Antonio Ratti, pp. 117–130.
  • Durham, Jimmie. (2005) The Second Mote Wave Theory. As Performed viewpoint the Banks of the Gush Wear, a Stone's Throw pass up S'Underland and the Durham Cathedral. Sunderland, UK/ Banff: University more than a few Sunderland/Walter Phillips Gallery.
  • Durham, Jimmie. (2005) "Various Element of Cowboy Life" & "Cherokee-US Relations", in The American West. Compton Verney, Warwickshire: Compton Verney House Trust. pp. 9–22 & 51-59 respectively.
  • Durham, Jimmie. (2011) Amoxohtli/Libro de Carretera/A Road Book. Köln: Walther König.
  • Durham, Jimmie. (2012) Poems that do not behaviour together. Berlin, London: Wiens Verlag and Edition Hansjörg Mayer.
  • Durham, Jimmie. (2013) "Vandalismo", in Forumdoc 2013.
  • Durham, Jimmie; Fisher, Jean, eds. (2014). Waiting to be interrupted, select writings 1993-2012. Milan: Mousse Publication. ISBN .

See also

Notes

  1. ^ abcdeRegan, Sheila (June 28, 2017). "Jimmie Durham Showing Reignites Debate Over His Assertion of Native Ancestry". Hyperallergic. Retrieved 19 July 2017.
  2. ^"Peill Stiftung - Jimmie Durham". . Retrieved 2019-05-25.
  3. ^"Jimmie Durham :: Foundation for Contemporary Arts". . Retrieved 2018-04-19.
  4. ^"Biennale Arte 2019 | Jimmie Durham Golden Celebrity for Lifetime Achievement". La Biennale di Venezia. 2019-04-04. Retrieved 2019-05-24.
  5. ^ abcdCara Cowan Watts; Luzene Hill; et al. (26 June 2017). "Dear Unsuspecting Public, Jimmie Durham Legal action a TricksterL Jimmie Durham's Autochthonous identity has always been spruce up fabrication and remains one". Soldier Country Media Network. Archived strange the original on 22 July 2017. Retrieved 21 July 2017.
  6. ^ abcSteve Russell, Editorial (1 July 2015). "Rachel Dolezal Hitch Andrea Smith Again; Will Lone Listen This Time?". Indian Society Today Media Network. Archived make the first move the original on 28 Might 2019. Retrieved 10 January 2016.
  7. ^Stevens, Mackenzie (2017). Ellegood, Anne (ed.). "Selected Chronology," Jimmie Durham: Discuss the Center of the World. Munich: Prestel. p. 288. ISBN .
  8. ^Budick, Ariella (6 Nov 2017). "Jimmie Metropolis at the Whitney: Cherokee maven or white imposter?". Financial Times. Retrieved 17 November 2017.
  9. ^ abLippard, Lucy R. (1 February 1993). "Jimmie Durham—Postmodern Savage". Art injure America. Retrieved 22 April 2017.
  10. ^ abcdJohansen 110
  11. ^ abcdSchulman, Sandra (3 January 2016). "Artist Jimmie Beef drops boulders to stop time". News from Indian Country. Archived from the original on 21 September 2016. Retrieved 11 Sep 2016.
  12. ^""The Process of Coming Decline into the World": An Earth Indian Movement (A.I.M.) Activist Advocates Cultural and Political Unification". History Matters. American Social History Game / Center for Media stomach Learning (Graduate Center, CUNY). Retrieved 11 September 2016.
  13. ^ abTóth 72
  14. ^ abTóth 152
  15. ^Johansen 29–30, 155
  16. ^Johansen 165–169
  17. ^Johansen 155
  18. ^"Harper's Anthology of Twentieth 100 Native American Poetry - Duane Niatum".
  19. ^"Jimmie Durham: Rocks Encouraged". e-flux. 2 June 2010. Retrieved 9 September 2016.
  20. ^"Goslarer Kaiserring 2016 brush up Jimmie Durham verliehen". Archived outsider the original on 2019-05-24. Retrieved 2019-05-24.
  21. ^"Why It Matters That Jimmie Durham Is Not a Cherokee". artnet News. 2017-07-07. Retrieved 2019-10-27.
  22. ^Paul Schmelzer (Oct 12, 2017). "How Can Contemporary Art Be Work up Inclusive of Native Voices?". . Retrieved 2019-05-24.
  23. ^"Beyond Jimmie Durham: Advanced Native American Art and Identity". . Archived from the contemporary on 2019-03-24. Retrieved 2019-05-24.
  24. ^Finkel, Jori (2021-11-17). "Jimmie Durham, Sculptor Who Explored Indigenous Themes, Dies crash into 81". The New York Times. ISSN 0362-4331. Retrieved 2021-11-18.

References

Further reading

Jimmie Beef, A Certain Lack of Coherence: Writings on Art and Educative Politics, edited by Jean Pekan, published by Kala Press Secretly Third Text, London, 1993, ISBN 0 947753 03 6 (hardback), ISBN 0 947753 04 4 (paperback)

  • Mulvey, Laura; Durham, Jimmie; Snauwaert, Dirk; Durant, Mark Alice; Hill, eds. (1995). Jimmie Durham. London: Phaidon. ISBN .
  • Brett, Guy; Ally Baere, Bart; Durham, Jimmie; Kreuger, Anders; Hill, Richard William, system. (2012). Jimmie Durham: A Event of Life and Death sports ground Singing. JRP Ringier. ISBN .
  • Ellegood, Anne, ed. (2017). Jimmie Durham: Mine the Center of the World. Munich: Prestel. ISBN .

External links

  • Lucy Lippard, "Jimmie Durham: Postmodernist Savage", Art In America
  • "Mourning Jimmie Durham,"Momus, give up Aruna D'Souza
  • Critique de l'exposition Pierres rejetées, au Musée d'art modern de la ville de Town, sur , in FrenchArchived 2010-04-15 at the Wayback Machine
  • Jimmie City on
  • Artist's Portrait: Jimmie Beef, by Johannes Schlebrügge (Museum train in Progress, 2000) [1]
  • Serpentine rouge, hand over art piece by Jimmie Beef, 2009, France
  • Video portrait of Jimmie DurhamArchived 2013-03-09 at the Wayback Machine, solo exhibition at MHKA (Antwerp) in 2012