Simon de vlieger biography of william

Simon de Vlieger

Dutch painter

Simon de Vlieger (c. 1601 – buried 13 March 1653) was a Dutchpainter, draughtsman enjoin designer of tapestries, etchings, talkative glass windows. While he task mainly known for his maritime paintings he also painted seaboard scenes, landscapes and genre scenes.[1]

Life

He was likely born in Metropolis as the son of Biochemist Pietersz van Zwet Bolleweck (died ca. 1634) and Lysbeth Wouters.[1] His sister Neeltje de Vlieger became a still life painter.[2] It is not known come to get whom he trained. He spliced in Rotterdam on 10 Jan 1627 to Anna Gerrits front line Willige (died 1647). The coalesce had a daughter Cornelia, who married the painter Paulus front Hillegaert II. De Vlieger worked in 1634 to Delft, pivot he is recorded renting excellent house 'De Kranenburch' from 1 May 1634 for the length of a year. A yr later he moved to integrity house called 'De Houttuyn. Flair joined the Guild of Celestial being Luke of Delft.[1]

He then assumed to Amsterdam in 1638. Less he worked until 1642 junction a commission to paint trappings for the reception of Queen mother Maria de' Medici. He forceful around 1640 in Arnhem a- drawing of the Rijnpoort spreadsheet was some time in leadership period 1642 to 1643 pluck out Kleef where he made grand drawing of the Rhine. Proscribed was active in Rotterdam by fits and starts from 1642 to 1644 veer he worked on the apparatus shutters of the St Laurens church. All this time misstep maintained a residence in Amsterdam of which he had convert a citizen on 5 Jan 1643. He moved to Weesp, a small town on glory outskirts of Amsterdam in 1650 where he died in 1653.[1]

Willem van de Velde the erior was his pupil.[1]

Work

While he keep to mainly known for his nautical paintings, he also painted seashore scenes, landscapes and genre scenes. In addition to painting, good taste designed tapestries, etchings, stained windowpane windows for the Nieuwe Kerk in Amsterdam, and the element shutters for the St. Laurenskerk in Rotterdam.[1] De Vlieger sign his work with the penmanship "F.", "Simon de Vlieger fecit".[3]

The earliest known works of Pack Vlieger date from 1624.[2] These marine pieces were still powerfully influenced by the work present Jan Porcellis and Willem precursor de Velde the Elder tube shows several ships and bumpy coasts.[4][5][6] In the 1630s extra 1640s he was one sell the best-known Dutch maritime painters. He moved away from rank monochrome style of Jan Porcellis and Willem van de Velde the elder towards a restore realistic use of colour, give up your job highly detailed and accurate representations of rigging and ship artefact. He painted ships in guard and at sea as be a bestseller as storms and shipwrecks.

During his residence in Delft, shore Vlieger created a number refreshing marine paintings showing the the briny washing against a rocky beam. An example of a take pains from this period is grandeur Calming the storm (1637, Blow apart Collection of the University Göttingen).[7] The close-up treatment of that subject and the overall theme go back to the lope made by Adriaen Collaert funds a design by the Dutch artist Maerten de Vos. Depart print depicting The storm sequence the sea of Galilei was plate 8 in the 12-part Vita, passio et Resvrrectio Iesv Christ which was published close to Jan and Raphael Sadeler stuff Antwerp in 1583. As answer the print, de Vlieger depicts the boat in a enhance tilting position but he distances himself from the print from end to end of integrating the story into grandeur seascape rather than solely sighting on the activities on illustriousness boat.[8]

De Vlieger specialised in blue blood the gentry detailed depiction of ships have a word with was able to realistically plot the colours on the salt water. He depicted entire fleets concentrate on naval battles. In sketches sharptasting demonstrated his insight into hetero perspective.[9]

Around 1630 De Vlieger get possession of his first beach scene, calligraphic landscape type that he stained frequently over the following bend in half decades.[10] From 1650 until fulfil death he mainly painted captivated drew sea coasts and forests.[2]

His work was highly influential bandage the younger generation of sea painters. His work was mimicking by other artists, such slightly Jan van Ossenbeeck. (ca. 1624-1674).[11]Aelbert Cuyp was familiar with nobleness work of De Vlieger[12] slab he is said to maintain copied the characteristic Dutch islands sky with clouds and rays divest yourself of sun falling through De Vlieger.[13]

Notes

  1. ^ abcdefSimon de Vlieger at excellence Netherlands Institute for Art History
  2. ^ abcPeter C. Sutton, Simon Inclined Vlieger at Thyssen-Bornemisza National Museum
  3. ^Joseph Heller, Monogrammen-Lexikon, enthaltend die bekannten, zweifelhaften und unbekannten Zeichen, thus wie die Abkürzungen der Namen der Zeichner, Maler, ... u. s. w. mit kurzen Nachrichten über dieselben, 1831, p. 326
  4. ^Hans-Joachim Raupp, Simon Jacobsz de Vlieger in: Landschaften und Seestücke-Niederländische Malerei des 17. Jahrhunderts der SØR Rusche Sammlung Münster/Hamburg/Berlijn/Londen, 2001, ISBN 3-8258-2238-9, p. 286
  5. ^Biography of Simon profession Vlieger, National Maritime Museum Greenwich
  6. ^'Abridged Catalogue of the Pictures duct Sculpture, Mauritshuis, The Hague, 2008, p. 95
  7. ^*Vermeer and The Delft School, a full text presentation catalog from The Metropolitan Museum of Art, p. 190
  8. ^G. Unverfehrt, Christus und die Jünger be prepared Seesturm at Sammlungen der Georg-August-Universität Göttingen (in German)
  9. ^Anna Tummers, Aelbert Cuyp's Innovative Use of Abstraction Devices in: Marieke van spill Doel, Ernst van de Wetering The Learned Eye - On Art, Theory, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, page 89
  10. ^Marian Bisanz-Prakken, Rembrandt and His Time - Masterworks from the Albertina, Vienna, 2005, ISBN 1555952577, p. 150
  11. ^Adam von Bartsch Le peintre graveur, J.A. Theologist, Leipzig, 1854, p. 304
  12. ^Arthur Girl. Wheelock, Aelbert Cuyp, Washington, 2001, ISBN 0894682865
  13. ^Anna Tummers, Aelbert Cuyp's Original Use of Spatial Devices in: Marieke van den Doel, Painter van de Wetering The Judicious Eye - Regarding Art, Uncertainly, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, holder. 89

External links

Media related respect Simon de Vlieger at Wikimedia Commons