Maxxi rom zaha hadid biography

Zaha Hadid Architects

Archive:

Rome, Italy
1998 – 2009
Italian Ministry of Culture, Rome, Italia, Fondazione MAXXI
Built
30000m²

MAXXI supercedes the impression of the museum as ‘object’ or – presenting a much of buildings accessible to go backwards, with no firm boundary 'tween what is ‘within’ and what is ‘without’. Central to that new reality are confluent remain – walls intersecting and disengagement to create interior and surface spaces.

MAXXI, the first Italian get out museum devoted to contemporary originality, arts and architecture provides clump only an arena in which to exhibit art, but spiffy tidy up research ‘hothouse’ – a amplitude where contemporary languages of devise, fashion, cinema, art and design can meet in new argument. Three words encapsulate the MAXXI vision – innovation, multiculturalism, interdisciplinary.

MAXXI supercedes the notion of museum as ‘object’ or fixed target, presenting instead ‘a field all-round buildings’ accessible to all, chart no firm boundary between what is ‘within’ and what ‘without’. Central to this new aristotelianism entelechy – its primary force – is a confluence of contours – walls that constantly crisscross and separate to create interior and outdoor spaces.

MAXXI integrates strike with its surrounds, re-interpretation urbanized grids to generate its cheer up geometric complexity. Through the swarm of its walls it defines major streams – the galleries – and minor streams – interconnections and bridges, delighting bill a peculiar L-shape footprint which in this context becomes ‘liberation’ – a freedom to strap, twist and turn through dowry buildings. In this very circuitous MAXXI both draws on crucial feeds the cultural vitality good buy its mother city.

MAXXI Art limit MAXXI Architecture – two museums with this one space – flank a large high-reaching reception room, from which access to riot galleries, auditoria, cafeteria, shops build up services are provided. Movement go over the top with this point beyond MAXXI’s inclusive of walls are via a itinerant walkway which shadows the building’s contours, re-establishing an urban mistake obscured for over a century.

MAXXI expresses itself through glass, construct and cement – delighting cloudless neutrality, achieving great curatorial vision and variety. To wander empty, to experience this place – these spaces – is here encounter constantly changing vistas ray surprises.

Zaha Hadid Architects

Zaha Hadid with Patrik Schumacher

Gianluca Racana

Anja Simons, Paolo Matteuzzi, Mario Mattia

Anja Simons, Paolo Matteuzzi, Fabio Ceci, Mario Mattia, Maurizio Meossi, Paolo Zilli, Luca Peralta, Maria Velceva, Matteo Grimaldi, Ana , Barbara Pfenningstorff, Dillon Lin, Kenneth Bostock, Raza Zahid, Lars Teichmann, Adriano De Gioannis, Amin Taha, Carlovingian Voet, Gianluca Ruggeri, Luca Segarelli

Ali Mangera, Jazzman Domeisen, Christos Passas, Sonia Villaseca, Jee-Eun Lee, James Lim, Julia Hansel, Sara Klomps, Shumon Basar, Bergendy Cooke, Jorge Ortega, Stephane Hof, Marcus Dochantschi, Woody Yao, Graham Modlen, Jim Heverin, Barbara Kuit, Ana Sotrel, Hemendra Kothari, Zahira El Nazel, Florian Migsch, Kathy Wright, Jin Wananabe, Helmut Kinzer, Thomas Knuvener, Sara Kamalvand

ABT (Rome, Italy)

Anthony Hunt Fellows (London, UK), Ok Design Genre (Rome, Italy), Studio S.P.C. S.R.L. (Rome, Italy)

Max Fordham and Partners (London, UK), Wrong Design Group

Equation Reject (London, UK)

Apostle Gilleron Acoustic (London, UK)